{"id":13,"date":"2018-03-15T19:43:20","date_gmt":"2018-03-15T19:43:20","guid":{"rendered":"http:\/\/www.juliasalles.com\/?page_id=13"},"modified":"2024-10-05T03:00:52","modified_gmt":"2024-10-05T03:00:52","slug":"recherche","status":"publish","type":"page","link":"https:\/\/www.juliasalles.com\/?page_id=13","title":{"rendered":"Publications"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\" id=\"block-ebc15d07-be93-4cce-afdb-ac54f938d3c2\"><strong>Book Chapters<\/strong><\/h3>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignright is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"200\" height=\"300\" src=\"http:\/\/www.juliasalles.com\/wp-content\/uploads\/2024\/03\/61mC4qzLuLL._AC_UF10001000_QL80_-200x300.jpg\" alt=\"\" class=\"wp-image-510\" style=\"width:195px;height:292px\" srcset=\"https:\/\/www.juliasalles.com\/wp-content\/uploads\/2024\/03\/61mC4qzLuLL._AC_UF10001000_QL80_-200x300.jpg 200w, https:\/\/www.juliasalles.com\/wp-content\/uploads\/2024\/03\/61mC4qzLuLL._AC_UF10001000_QL80_.jpg 667w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/figure><\/div>\n\n\n<p>RAMOS, A.; SALLES, J. (forthcoming), &#8220;The Infinite Variations of the Possible&#8221;, in Bonapfel, E. et Hennig, A. (\u00e9d.), <em>Emerging Possibilities<\/em>, Leiden: Brill.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>SALLES, J.; MARCHESSAULT, J.; SIMON, B. (2022) &#8220;Curating for Communal Engagement in Virtual Reality&#8221;, in Frith, J. &amp; Saker, M., (ed.), <a href=\"https:\/\/vernonpress.com\/book\/1553\">The changing face of VR: Pushing the boundaries of experience across multiple industries,<\/a> Wilmington: Vernon Press. p. 145-158.<\/p>\n\n\n\n<p><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft is-resized\"><a href=\"http:\/\/www.juliasalles.com\/wp-content\/uploads\/2020\/02\/38173162_902423283292024_6080096566260006912_o.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"http:\/\/www.juliasalles.com\/wp-content\/uploads\/2020\/02\/38173162_902423283292024_6080096566260006912_o-300x200.jpg\" alt=\"\" class=\"wp-image-333\" style=\"width:229px;height:152px\" srcset=\"https:\/\/www.juliasalles.com\/wp-content\/uploads\/2020\/02\/38173162_902423283292024_6080096566260006912_o-300x200.jpg 300w, https:\/\/www.juliasalles.com\/wp-content\/uploads\/2020\/02\/38173162_902423283292024_6080096566260006912_o-768x512.jpg 768w, https:\/\/www.juliasalles.com\/wp-content\/uploads\/2020\/02\/38173162_902423283292024_6080096566260006912_o-1024x683.jpg 1024w, https:\/\/www.juliasalles.com\/wp-content\/uploads\/2020\/02\/38173162_902423283292024_6080096566260006912_o-1200x800.jpg 1200w, https:\/\/www.juliasalles.com\/wp-content\/uploads\/2020\/02\/38173162_902423283292024_6080096566260006912_o-1860x1240.jpg 1860w, https:\/\/www.juliasalles.com\/wp-content\/uploads\/2020\/02\/38173162_902423283292024_6080096566260006912_o.jpg 2048w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/figure><\/div>\n\n\n<p>SALLES, J.; RUGGIERO, M. L. (2019). \u00ab&nbsp;Narrativas imersivas: imaginando multiplas realidades \u00bb. In: Andr\u00e9 Paz; Sandra Gaudenzi. (Org.). <em>Bug: Narrativas Interativas e Imersivas<\/em>. Rio de Janeiro: Automatica, p. 81-91.<\/p>\n\n\n\n<p><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignright\"><a href=\"http:\/\/www.juliasalles.com\/wp-content\/uploads\/2019\/03\/g13183-6.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"http:\/\/www.juliasalles.com\/wp-content\/uploads\/2019\/03\/g13183-6-150x150.jpg\" alt=\"\" class=\"wp-image-285\"\/><\/a><\/figure><\/div>\n\n\n<p>SALLES, J. (2018). \u00ab The Rules of Chance \u00bb, in Bilova, Z., Bowler, L. M., Rosca, M., Rusch, M., Sch\u00fcrmer, A. (Ed.), <em>Gesetze der Kunst<\/em>, Berlin : LIT Verlag.<\/p>\n\n\n\n<p><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft\"><img loading=\"lazy\" decoding=\"async\" width=\"193\" height=\"201\" src=\"http:\/\/www.juliasalles.com\/wp-content\/uploads\/2018\/03\/couv_ARTSNUMERIQUES.jpg\" alt=\"\" class=\"wp-image-15\"\/><\/figure><\/div>\n\n\n<p><\/p>\n\n\n\n<p>SALLES, J. (2016). \u00ab <a href=\"http:\/\/www.juliasalles.com\/?p=198\">Le spectateur mobile<\/a>\u00bb, dans Gonot, A., Sapiega, J. et S. Denis (dir.), <em>Arts num\u00e9riques, narration, mobilit\u00e9. <\/em>Aix-en-Provence: Presses Universitaires de Provence.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Peer-reviewed Papers<br><\/strong><\/h3>\n\n\n\n<p>NEVEU, E., SALLES, J.; HUYNH, L.-K.; ROY, I.; LAVERTU, G.; DODIN, P.; BEAUCHAMP, M. H. (in press). &#8220;State-of-the-art of Social Cognition Assessment Using Virtual Reality: A Systematic Review&#8221;. Article accepted for publication in <em>Technology, Mind, and Behavior<\/em>. <\/p>\n\n\n\n<p>ROY, ISABELLE ; <strong>SALLES, JULIA<\/strong> ; NEVEU, ERIKA ; LARIVI\u00c9RE-BASTIEN, DANA\u00cb ; BLONDIN, AUR\u00c9LIE ; LEVAC, DANIELLE ; BEAUCHAMP, MIRIAM H. (2024). Exploring the perspectives of health care professionals on digital health technologies in pediatric care and rehabilitation. Journal of NeuroEngineering and Rehabilitation, v. 21, p. 156.<\/p>\n\n\n\n<p>SALLES, J.; ZANETTI; LEVIN, T. (2024). &#8220;Territoires de la m\u00e9moire en deux webdocumentaires : EntreVilas et H\u00edbridos&#8221;. <em>Conserveries m\u00e9morielles. Num\u00e9ro Webdocumentaire et enjeux historiographiques<\/em>, vol. 26, <a href=\"http:\/\/journals.openedition.org\/cm\/5812\">http:\/\/journals.openedition.org\/cm\/5812<\/a>.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"331\" height=\"152\" src=\"http:\/\/www.juliasalles.com\/wp-content\/uploads\/2024\/03\/images.png\" alt=\"\" class=\"wp-image-530\" srcset=\"https:\/\/www.juliasalles.com\/wp-content\/uploads\/2024\/03\/images.png 331w, https:\/\/www.juliasalles.com\/wp-content\/uploads\/2024\/03\/images-300x138.png 300w\" sizes=\"(max-width: 331px) 100vw, 331px\" \/><\/figure><\/div>\n\n\n<p>ZANETTI, D.; SALLES, J.; MARRA, P.; REIS, R. (2022). &#8220;From Real to Virtual: Immersion and Interactivity for Understanding Socio-Environmental Conflicts&#8221;. <em>Interactive Film &amp; Media Journal<\/em>, v. 2, n. 2, <a href=\"https:\/\/doi.org\/10.32920\/ifmj.v2i2.1575\">https:\/\/doi.org\/10.32920\/ifmj.v2i2.1575<\/a>.<\/p>\n\n\n\n<p>SALLES, J.; RAFLA, M. (2021). &#8220;From the ground up: Designing Conversational Audiovisual Narratives Using Chatbot&#8221;. <em>ViewFinder Magazine<\/em>, vol. 117. <\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignright size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"256\" height=\"345\" src=\"http:\/\/www.juliasalles.com\/wp-content\/uploads\/2024\/03\/Screenshot-2024-03-22-145429.png\" alt=\"\" class=\"wp-image-531\" srcset=\"https:\/\/www.juliasalles.com\/wp-content\/uploads\/2024\/03\/Screenshot-2024-03-22-145429.png 256w, https:\/\/www.juliasalles.com\/wp-content\/uploads\/2024\/03\/Screenshot-2024-03-22-145429-223x300.png 223w\" sizes=\"(max-width: 256px) 100vw, 256px\" \/><\/figure><\/div>\n\n\n<p>BORTOLINI, M. R.; RUSSO, K.; SALLES, J.; MESQUITA, A.; BRITO, C.; NUNES, F. (2021). &#8220;Os entrela\u00e7amentos entre os movimentos de pesquisa e de cria\u00e7\u00e3o: algumas reflex\u00f5es&#8221;. InterSaberes Revista Cient\u00edfica, v. 16, p. 1155-1180<\/p>\n\n\n\n<p><span class=\"JsGRdQ\">RUSSO, K., SALLES, J. (2020). \u00ab Midias geolocalizadas e educa\u00e7ao em direitos humanos : algumas perspectivas \u00bb. <em>Educa\u00e7ao em Foco<\/em>, v. 25 (1), p. 320-335.<\/span><\/p>\n\n\n\n<p>DUROCHER, M., THULIN, S., SALLES, J. et FRIZZERA, L. (2019). &#8220;Step, step, rest, step\u2019: Challenging Age-Related Norms and Biometric Bodies through Self-Tracking Data Re-Materialization&#8221;. <em>International Journal of Performance Arts and Digital Media<\/em>, v. 15, p. 1-18.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft\"><a href=\"http:\/\/www.juliasalles.com\/wp-content\/uploads\/2018\/03\/ticarttoc.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"233\" height=\"300\" src=\"http:\/\/www.juliasalles.com\/wp-content\/uploads\/2018\/03\/ticarttoc-233x300.jpg\" alt=\"\" class=\"wp-image-203\" srcset=\"https:\/\/www.juliasalles.com\/wp-content\/uploads\/2018\/03\/ticarttoc-233x300.jpg 233w, https:\/\/www.juliasalles.com\/wp-content\/uploads\/2018\/03\/ticarttoc-768x989.jpg 768w, https:\/\/www.juliasalles.com\/wp-content\/uploads\/2018\/03\/ticarttoc-795x1024.jpg 795w, https:\/\/www.juliasalles.com\/wp-content\/uploads\/2018\/03\/ticarttoc.jpg 980w\" sizes=\"(max-width: 233px) 100vw, 233px\" \/><\/a><\/figure><\/div>\n\n\n<p>SALLES, J. (2016) <a href=\"http:\/\/www.juliasalles.com\/?p=201\"><em>La diversit\u00e9 dans les m\u00e9dias interactifs: vers une soci\u00e9t\u00e9 cr\u00e9ative<\/em><\/a>. <em>TicArtToc<\/em>, v.7, p.40 &#8211; 43, 2016<\/p>\n\n\n\n<p>SALLES, J. (2015), <em><a href=\"http:\/\/www.juliasalles.com\/?p=207\">L&#8217;incertitude dans l&#8217;utilisation des m\u00e9dias g\u00e9olocalis\u00e9s: \u00c9tude de deux applications reli\u00e9es \u00e0 la mobilit\u00e9 urbaine<\/a><strong>. <\/strong>Netcom<\/em>, v. 29 (1-2), p. 13-36.<\/p>\n\n\n\n<p>PAZ, Andr\u00e9 ; SALLES, J. (2015), <em><a href=\"http:\/\/www.juliasalles.com\/?p=213\">Brasil, mostra a sua cara: Aproxima\u00e7\u00f5es ao cen\u00e1rio brasileiro de document\u00e1rios interativos<\/a>.<\/em> <em>Doc On-Line: revista digital de cinema document\u00e1rio<\/em> , v. 18, p. 130-165.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignright\"><img loading=\"lazy\" decoding=\"async\" width=\"282\" height=\"266\" src=\"http:\/\/www.juliasalles.com\/wp-content\/uploads\/2018\/03\/rebeca.gif\" alt=\"\" class=\"wp-image-16\"\/><\/figure><\/div>\n\n\n<p class=\"has-text-align-left\">SALLES, J. (2014), <a href=\"http:\/\/www.juliasalles.com\/?p=218\">Novas formas do document\u00e1rio: o document\u00e1rio interativo<\/a><em>. Revista Brasileira de Estudos de Cinema e Audiovisual<\/em>, v. 6 (6).<\/p>\n\n\n\n<p>PAZ, Andr\u00e9 ; SALLES, J. (2013), <a href=\"http:\/\/www.juliasalles.com\/?p=222\"><em>Dispositivo, acaso e criatividade \u2013 por uma est\u00e9tica relacional do webdocument\u00e1rio<\/em><\/a>. <em>Doc On-Line: revista digital de cinema document\u00e1rio<\/em>, v. 14, p. 33-69.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Other Publications<br><\/strong><\/h3>\n\n\n\n<p>SALLES, J. ; LACHANCE, F. ; PERRAULT, W. ; BERRADA, L. M.&nbsp; ; VASSEREAU, J.-C. ; FAYON, D. ; GAGN\u00c9, J.-F. (2019). <em>Policy brief : Impacts humains des investissements sp\u00e9cifiques \u00e0 l\u2019IA; <\/em>Perspective : Laboratoire d&#8217;id\u00e9es interdisciplinaire, Facult\u00e9 des arts et des sciences, Universit\u00e9 de Montr\u00e9al<em><br><\/em><\/p>\n\n\n","protected":false},"excerpt":{"rendered":"<p>Book Chapters RAMOS, A.; SALLES, J. (forthcoming), &#8220;The Infinite Variations of the Possible&#8221;, in Bonapfel, E. et Hennig, A. (\u00e9d.), Emerging Possibilities, Leiden: Brill. SALLES, J.; MARCHESSAULT, J.; SIMON, B. (2022) &#8220;Curating for Communal Engagement in Virtual Reality&#8221;, in Frith, J. &amp; Saker, M., (ed.), The changing face of VR: Pushing the boundaries of experience [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.juliasalles.com\/index.php?rest_route=\/wp\/v2\/pages\/13"}],"collection":[{"href":"https:\/\/www.juliasalles.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.juliasalles.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.juliasalles.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.juliasalles.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13"}],"version-history":[{"count":43,"href":"https:\/\/www.juliasalles.com\/index.php?rest_route=\/wp\/v2\/pages\/13\/revisions"}],"predecessor-version":[{"id":612,"href":"https:\/\/www.juliasalles.com\/index.php?rest_route=\/wp\/v2\/pages\/13\/revisions\/612"}],"wp:attachment":[{"href":"https:\/\/www.juliasalles.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}